Episodes

103
Feb. 23, 2024

Comfort Films 108: Sense and Sensibility (1995)

For the second episode of our Jane Austen adaptations month, we welcome first-time guest and world class soprano Jessica Sandidge to discuss her top comfort pick, Sense and Sensibility! This film was Emma Thompson's first feature screenplay writing credit, and it sparkles with Jane Austen's signature wit and wisdom. It was also Ang Lee's first studio directing credit, and his detailed, rich visual style is evident in every frame. Jessica draws on her deep knowledge of music to discuss Patrick Do...
3
Feb. 12, 2024

Comfort Films 107: Emma (2020)

It's February, and love, as always, is in the air this month. So we're celebrating movie love with a duo of Jane Austen adaptations! First up is the Autumn de Wilde feature film directorial debut Emma. De Wilde perfectly marries Eleanor Catton's excellent screenplay adaptation of Austen's novel with her own exceptionally rich visual style to create a film that is both perfectly period and surprisingly modern. From the collaborative use of color in the production design and costume, to the master...
106
Jan. 28, 2024

Comfort Films 106: Crimson Peak (2015)

In this second pick for our Gothic Romance month, we discuss the stylish and evocative Guillermo Del Toro film Crimson Peak. This movie is Del Toro's homage to the great literature and film in the genre, including Hitchcock's Rebecca, Jane Eyre, The Mysteries of Udolpho, The Monk, and the work of Mario Bava. Del Toro also brings in some of his own obsessions like insects and ghosts to put his distinctive stamp on the genre, honoring its tropes in some ways and subverting them in others to bring ...
105
Jan. 14, 2024

Comfort Films 105: Rebecca (1940)

Welcome to season 3! We're kicking off this season with a couple of episodes on our favorite films from the Gothic Romance genre, and who better to start us off than the master of the macabre, Alfred Hitchcock? Rebecca, starring Joan Fontaine and Sir Laurence Olivier, was Hitchcock's first film made in the US and his only Best Picture winner. The film also earned an Oscar for cinematographer George Barnes, whose talents with light, shadow, and camera movement created the moody atmosphere that pe...